100x100/11: Direct manipulation of the vocal tract.
Attempts to manipulate elements of vocal tract often spoil singing.
Attempts distort proper coordinations; ignore faulty intentions actually causing physical, acoustic, expressive problems.
Attempts put effect before cause, faith in reverse-engineering.
Specific attempts give specific problems, eg:
Attempts to “lift soft palate” give tension in “tongue root”. (True lift neither muscular nor local.)
Attempts to turn, or lower, larynx give tongue retraction, palate lowering.
Attempts to “release tongue root” through protrusion give distorted text, swallowed sound: tension’s causes untouched.
Such attempts can be singer’s primary problem.
Vocal tract holistically motivated through well-formed intention. Ill-formed intention or unsuccessful embodiment causal problem.